Fun spot that has the appearance of all CG, yet was actually not..mostly not.
We shot the various iCAT's [and iDOGs] on a spinning glossy white plexi disc. The hard part was how to light something like this with little to no noticeable light sources reflected in either the toy's chrome trim or the reflective surfaces of both the cat and the table surface.
I had the guys hang a series of 6K space-lights in the studio grid. We then flew 2 x 20'x20' bleached silks in the air between the shooting area and the lights, leaving a 4' gap between the frames. This provided the needed diffusion to cancel out the source of each light.
We had to squeeze the camera into this area and we used an Innovision Probe=2+ to help get the camera away yet get the lens close to the subject.
Lightborne was the production company, Scott Durbin produced.
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