I was making a previz of this film in 2017 for Maxon User Meeting in Tokyo to share some techniques. However, after the event, my main work continued for three years non-stop, so I'd been looking for a chance to restart this project. The end of May, this year, some projects were postponed due to the pandemic. So I decided to reboot and complete it in the meantime.
Over the past three years, CG software and hardware have evolved, and my skills have grown, so I am pleased that I was able to create things that I couldn't express in 2017.
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Visuals: Takayuki Sato
Music: Yumetoki Suzuki
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