Testing Sony A6300 in DC

I spent the weekend with my girl in DC and I bought the Sony a6300, I was very curious about what this camera (for under $1K) is capable to do.. so I tested right away.
Kit Lens Sony 16-50mm
ISO auto
Continuos AF
4k Slog-3 - Profile 8
NOTE: 4k Recording low the brightness of the monitor to 0.
My review:
The Sony a6300 is the company's latest mid-range mirrorless camera. Like the a6000 it still offers 24MP resolution but the autofocus ability, video capability, build quality, viewfinder resolution and price have all been increased.
The most exciting change from my perspective is the a6300's new sensor. Although the pixel count remains the same, the a6300's sensor has a whopping 425 phase-detection AF points ranged across the sensor. The a6000 already offered one of the best AF systems in its class, when it comes to identifying and tracking subjects, so an upgrade in this area sounds extremely promising. The sensor is also built using newer fabrication processes that use copper wiring to help improve the sensor's performance and possibly contributing to the camera's slightly improved battery life.
Key features:
24MP Exmor CMOS sensor
425 phase detection points to give '4D Focus' Hybrid AF
4K (UHD) video - 25/24p from full width, 30p from smaller crop
2.36M-dot OLED finder with 120 fps mode
Dust and moisture resistant magnesium-alloy body
Built-in Wi-Fi with NFC connection option
Built-in microphone socket
As with the previous 6-series E-mount cameras, the a6300 features a flip up/down 16:9 ratio screen. The shape of this screen hints at the 6300's intended uses: video shooting, as well as stills. The a6300's movie features have been considerably uprated. It not only shoots 4K (UHD) at 24p or 25p from its full sensor width (or 30p from a tighter crop). It also gains a mic socket, the video-focused Picture Profile system (which includes the flat S-Log2 and S-Log3 gamma curves), and the ability to record time code.
This added emphasis on video makes absolute sense, since the camera's stills performance is likely to be competitive with the best on the market but its video capabilities trounce most of its current rivals. The a6300 not only includes focus peaking and zebra stripes but, if its on-sensor phase detection works well, the ability to re-focus as you shoot with minimal risk of focus wobble and hunting, should make it easier to shoot great-looking footage.
All this makes it hard to overstate how promising the a6300 looks. A latest-generation sensor can only mean good things for the camera's image quality and an autofocus system that moves beyond the performance of one of our benchmark cameras is an enticing prospect. Add to that excellent, well-supported video specifications, a better viewfinder and weather-sealed build, and it's tempting to start planning for the camera's coronation as King of the APS-C ILCs. Perhaps with only the price tag floating over proceedings, threatening just a little rain on that particular parade.
Definitely is not the A7sii, you won't find the full frame sensor or the internal 5 axis but what the heck.. you still have the Slog profiles and $2000 bucks in your pocket.