The reason behind this color grade was to simply experiment with overcast, exterior footage, using 8-bit Cine2 Log from the Sony a6500.
The inspiration was this cornfield shot from Interstellar (Christopher Nolan), which I thought would be appropriate given the closely similar color palette. Interstellar was shot on film (Kodak Vision3 50D 5203, Vision3 250D 5207 and Vision3 500T 5219). I suspect they used the 250D given the sunset setting.
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