The film is a tribute to Giorgio De Chirico and his metaphysical style, capable of accompanying us into impossible worlds made of architectures with infinite perspectives, where shadows mark the exasperated geometries.
On this stage made entirely of paper, created by the paper artist Mauro Seresini, a chameleon introduces the spectator into the geometries and architectures, taking him as in a dream to each side of the theater without movement restrictions, flying over it and discovering from time to time the real protagonist and muse of the mise-en-scène, the Camaleonda sofa by Mario Bellini.

"Giorgio de Chirico – come pochi grandissimi artisti – ha separato il flusso della storia dell’arte in “prima e dopo”. Davanti alle sue opere conservate in musei o collezioni private, io confesso di subire un fascino per me irresistibile, al punto che spesso amo sfogliare e risfogliare – mai sazio – i tanti miei libri a lui dedicati."
Mario Bellini, 2020.