When a person stands close to a character, the world that that character embodies will appear, and a new world will be created. The elements that are released from the characters go on to influence one another in the new world.
Behind the projected world, there is a 360-degree computer-generated space. The elements that are born from the characters are placed at various positions within that space, and the physical influences and connections between the elements are calculated in real time, producing a complex and natural world. For example, when the wind blows, flowers and snow are physically influenced by the wind. Birds alight in trees, and butterflies are attracted to flowers. Just as in nature, no two moments are repeated. The passing moments of the world are never the same, and new visual worlds are constantly being created.
Chinese characters were first carved in turtle shells and ox or deer bones and were engraved in bronze ware. It can be said that at that time, each character contained its own world that was conjured up by its meaning. Through the characters, the worlds that people call up connect and interact with each other to create a new, continuously changing world.
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人々が文字に近づくと、その文字がもつ世界が現れ、世界を創っていく。そして、世界の中で互いに影響し合う。
投影された世界の裏側には、360度広がる空間があり、文字から生まれたものたちは、空間上のそれぞれの位置や、それぞれが持つ知能や関係性、物理的な影響などによって、互いに影響を受け合いながら、空間上でリアルタイムに計算され、複雑かつ自然な世界をつくっていく。例えば、風が吹けば、花や雪は風の物理的な影響を受け、風に吹かれて飛んでいく。鳥は木にとまり、蝶は花が好きで近づいていく。自然の景色に同じ瞬間がないように、同じ瞬間は二度となく、常に初めて見る景色を創り出す。
漢字が亀の甲羅や牛や鹿の骨、青銅器に刻まれていたころ、漢字の一文字は、ひとつの世界の部分を持っていた。漢字を通して人々が呼び出した世界は、連続し、互いに相互作用を与えながら、世界は創られていく。
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